So, tell us a bit about who you are, and how you first got involved with Epiphany Space.
Hi. I live in Newcastle, just north of Sydney, Australia. I earn a living teaching English, History, and Drama. I discovered Epiphany Space during lockdown when your group kept the creativity flowing by producing virtual plays, watch parties, virtual coworking, and networking events. It was too early to tune into Wine Wednesday, as it was 10 AM Sydney time - you didn’t seem to care that I am literally on the other side of the world, 7497 miles away…
It is an inspiration to work with some of you and experience some online events. Thank you for the privilege of introducing me through The Spark.
Who inspires you? What creative people or creative works make you say, “I want to do that”?
Maia Akiva and Shelby Bond are two Epiphany Space members that I got to know best, and I aspire to be more like them. Maia, because she has a heart for working with people in rehab and writes so well. Shelby, because he creates wonderful characters, is spontaneous and hilarious.
I admire works by Charlie Chaplin (especially The Great Dictator), Shakespeare, George Orwell, and Raymond Carver. They are champions of the everyday people. Movies such as Birdman and Once Upon a Time in Hollywood really surprise and inspire me with their plot lines. Absurdist drama from Harold Pinter and Eugene Ionesco inspire me to write for theatre and film.
What are some of the challenges you’ve faced along the way, and how did you deal with them?
My main childhood and adolescent struggle was loneliness as my father was military, and ‘absent’ a lot of the time. I went to boarding school and at 16 became a tearaway teenager. As an adult, I had to rethink my father/son relationship and forgive him because I learned he was in the secret service and was sworn to secrecy for 35 years. Like a lot of servicemen, he suffered from PTSD. My mum was amazing and raised all five of us kids with no single-mother’s benefits back then. She always encouraged me and supported me - even when I ran away, lived a wild lifestyle, and got into trouble. I had many career and relationship failures.
I faced many career and creative challenges such as the disappointment of failing at my desired career as a writer way back in 1990. I wrote a play based on Raymond Carver’s, “What we talk about when we talk about love”. It was a flop because I obviously did not know much about love and could not articulate it. I suffered ‘imposter syndrome’ as a young artist after successfully auditioning for a prestigious university. It is really debilitating when you think of yourself as ‘less than’ other people. I was called a ‘space cadet’ at university and had to learn to just go with it. My faith as a believer in Jesus Christ has given me value as a unique human being.
Now I don’t care so much about what people think of me. I simply aspire to let my art speak for itself. I also gained self-esteem from raising a family for 26 years with my wife Linda and we have four wonderful children. When my parenting duties eased off, I walked back into the theatre in 2019 as a writer, director, and performer and see myself as an emerging artist again.
I realized it is never too late as an artist. If I neglect creativity, I neglect my spirit.
I look forward most to socializing, working, playing guitar, and surfing with mates. These things keep me feeling happy and healthy. I learned that everyone needs someone to love, something we enjoy doing, and something fun to look forward to.
Are you working on anything cool or interesting right now? Anything you’d like to tell us about?
I just finished performing my play, I’ve been Robbed at a local play festival. I am entering it into other festivals so I am editing this play for Short + Sweet, Sydney. The winner gets an automatic entry into your Short + Sweet, Hollywood event which I am excited about.
I am also working on a documentary with a filmmaker about a clown who flies into the Australian outback and reaches out to remote communities. His name is Goodnews, you can see him in the photos. He tells stories, does puppetry, juggling, unicycling, and other inspiring and funny things.
I am editing several other short stories and plays that I hope to get published once I collate them within the next year.
Where do you see your creative journey taking you? What would you like to be doing, say, five years from now?
I want to write and perform works that are full of love and redemption. I hope to be part of a performance ensemble that creates and performs shows for people who want to experience life’s beauty through theatre and film. I want Crash Test Drama Hunter to expand and be operating as a not-for-profit.
What advice would you give to other artists and creatives in your field? Any words of wisdom for those looking to follow in your footsteps?
Realize that when you fail or ‘fall’, you are like a cat that always lands instinctively on its feet. So, never give up hope. Hope is the forerunner of faith and we live by faith not by sight.
Do not give up or compromise your dreams when you feel down, even bad things can and will change. I would suggest not going over each individual problem or failure you have ever faced trying to fix it. Find creative, expressive people and hang out with them. Get involved in others’ stories and creative pursuits. You have a wonderful support group with Epiphany Space, so lean on each other. Keep doing and thinking about what inspires you – this will build those healthy neural pathways. Remember Emmanuel Kant’s maxim Rules for happiness: “something to do, someone to love, something to hope for.”